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Bob Rohm, C. W. Dykes,
Richard Satava, Christopher Rich, Chuck Rawle, Clyde
Pickett, Dane Ellsworth, Don Ward, Darlis Lamb,
David Williams, Dawn Waters Baker, ,Dorothy Long, Duke
Sundt, Gale Webb, Gary Jack Thornton, Gay Faulkenberry, Jan
Busse, Jeff St. John, Jerry Palen, John Budicin,
Joan Potter, Kathleen Cook, Kathy Hinson, Linda Morgan Louise
DeMore, Mark Stewart, Mike Windsor, Milbie Benge, Mitch
Caster, Natasha Downs, Peggy Kingsbury, Richard Hawley,
Richard Prather, Richard Satava, Robert Deurloo, Royce
Gilliland, Rusty Jones, Suzanne Owens, Thomas Woodward, William
Melstrom, Zhiwei Tu
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| Zhiwei Tu
To see a larger image of the
painting, just "click" on
the painting!
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"Farmer"
Oil 48" x 24"
$18,000 |
"Frontier Girl"
Oil 48" x 24"
$18,000 |
| Zhiwei Tu
His story sounds almost too impossible to believe:
born to peasant parents in a remote rural village of Guangdong Province,
China, in 1951, Zhiwei got his start in oil painting when the Beijing
government sent an “official” artist to his village to create a
public portrait of Chairman Mao Zedong. Then a teenager, Zhiwei watched
the artist work for an entire day, then asked to borrow samples of his
paints and returned the next day to set up alongside the professional
and prepare his own oil portrait of Mao.
As the story goes, the villagers were so impressed
by Zhiwei’s finished work that they chose it over the government
artist’s portrait for display.
“It’s a long time gone now, almost 40 years,”
Zhiwei says in a recent phone interview from his current home in
Chicago, Ill. “But they did choose it, and it was on the second floor
of the school building in my village, facing outside, for many years.”
After achieving widespread recognition and acclaim
in China, and studying at the Guangzhou Institute of Fine Arts, Zhiwei
traveled to the United States in 1987 to study at Drake University in
Des Moines, Iowa. He was named president of OPA in 2004 and still
travels back to China every year for exhibits and to collect his
preferred painting supplies; last year he visited when his hometown
opened a museum in his honor.
“I like impressionists—the color, the light,”
Zhiwei says of his painting style. As to content, he says, “I’m very
interested in Chinese history and the old stuff, and [more recently] the
American traditions. American Indians, pioneers and mountain men—the
look on their face, their beards, they are stone shaped and so
strong.”
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